As Henry Jenkins and other scholars have observed, contemporary remix culture has disrupted both hierarchies of taste and capitalist models of cultural production. However, less attention seems to have been paid to the degree to which these emergent models of cultural production reinforce oppressive stereotypes and destructive social norms. This essay muses upon efforts to create socially responsible media in the current environment.
Author’s note: This part of my unpublished 2002 essay, “Not the Subject but the Premise: Postcards from the Edge of Du Bois’ Black Belt,” is reproduced here for comment and as fodder in the body of work upon which I am drawing for my sabbatical project. I consider it to be a failed work with […]